By Rachel Grant, Membership Co-Chair, rlgrant6@gmail.com
AEJMC History Division member Carrie Teresa, an assistant professor and chair in Communication and Media Studies at Niagara University, recently authored Looking at the Stars: Black Celebrity Journalism in Jim Crow America, and we recently had a chance to chat with her about the process of researching and co-authoring this thought-provoking manuscript.
Q: Describe the focus of your book.
A: Looking at the Stars focuses on an analysis of the entertainment pages of Black press weeklies from 1900 to 1940. It charts the development of celebrity reporting in those pages, and it analyzes the discourse journalists used to discuss famous black performers in theatre, radio, film, and sports. The book argues that early Black celebrities fulfilled three important social functions. First, they constituted what ordinary black citizens deemed “positive representations” of the race, though that definition changed by decade and, I think, continues to evolve today. Second, they worked tirelessly to give back to the communities from which they emerged. And finally, they proudly defined black identity on its own terms, confronting and dismantling racist ideologies along the way. Ultimately, the book argues that early coverage of the popular culture celebrities of the Black press set the stage for the work of modern “entertainer-activists” such as Beyoncé, Kendrick Lamar, and Colin Kaepernick.
Q: How did you come across this subject? Why did it interest you?
A: This work began as my dissertation project for Temple’s Media and Communication program. My interest in the Black press was first sparked in Carolyn Kitch’s Journalism History course, and my interest in celebrity culture and representation developed after I watched Ken Burns’s documentary on the first Black heavyweight champion, Jack Johnson, called Unforgiveable Blackness. Johnson’s position as a polarizing celebrity in the early 1900s prompted me to think about how other Black celebrities might have been framed as representations (or not) of the race, especially against the backdrop of rapidly changing technological, political, and social conditions during the early twentieth century.
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